Art history, aesthetics and visual studies today find themselves in contested new philosophical and institutional circumstances. This study explores the connections and differences between these three methods of investigating visual representation. What are the dominant aesthetic assumptions underly[...]

Visual Time offers a rare consideration of the idea of time in art history. Non-western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all plac[...]